Sunday, November 4, 2012

Oral Narrative as Short Story Cycle-Rocio G. Davis


Davis: Forging Community in Edwidge Danticat’s Krik?Krak!       

            Rocio G. Davis completely dissects the way Edwidge Danticat provides short stories in order to promote collective identity in this essay. First he points out the cultural interpretation regarding a variety of short stories by ethnic writers. The dynamic of providing history as a road the essence of gynocentric relationship between mother and daughter as the vehicle for which it travels is enlightening.

            In the form of storytelling, collective short stories in ethnic novels from writers such as Danticat, promotes survival especially in women. The cultural history behind each writer can be felt as the reader is engulfed in a rich story about hardships and happiness that promotes self-affirmation for the ‘daughters’ of the stories and individual empowerment for the ‘mothers’. Danticat turns to her own roots, for example, from her own experiences with family, community, and the struggles to identify with her ethnicity in the intertwined Haitian culture and connecting her life in the United States.

            Rocio points out that the validity of the past, examination of similar paths and recognition from fellow women is the utmost importance in the reason why ‘games’ are played among women in Danticat’s stories. The hidden meanings and ability to have a voice becomes evident in the symbolism used through stories mainly about leaving Haiti and the search for a future outside of the ‘home’ each character recognizes with.

            The “desire to come to terms with a past that is both personal and collective: this type of fiction often explores the ethnic character and history of a community as a reflection of a personal odyssey of displacement, and search for self and community.” Danticat showed the struggle of women to preserve the bonds of their Haitian community, and through the life in the United States while maintaining the link to the mother country. The need to find familial and historical connections with the group that is identified with becomes relevant among Danticat’s characters. Danticat blends this idea with the solid structure with history, although her works are fiction, in order to preserve the familiar bonds between women essential for their survival.

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